peregrine
Gloom and overcast skies bestow an aura of mystery, don't you think? Everything appears enfolded under shaded oyster skies. People smuggle themselves beneath umbrellas and the hoods of jackets. The stormy mantle across the city makes it the kind of day conducive to malaise but also prime to ponder the peregrine. Or if esoteric thoughts regarding being and time is not on the schedule, perhaps there's something else - some recreational pastime easily enjoyed indoors. Like... a movie?
And I did watch a couple movies all the way through this weekend (there were a couple I started, but stopped). One was Red Eye, from 2005, directed by Wes Craven. The first hour was engrossing. Airplane claustrophobia was perfectly captured, and it was exacerbated by the protagonist's predicament. Overall, Red Eye was a taut thriller, though it prolapsed into a boiler plate action flick in the third act.
The other movie was a semi-documentary crime-drama noir from 1948 titled The Street with No Name, directed by William Keighley. This was a solid piece of filmmaking, as so many noir pictures from that era tend to be. Richard Widmark is creepily outstanding as the neurotic, paranoid ringleader of a new breed of gangs hitting the streets of America.
Though it is a satisfying picture, it is not necessarily one of the best noir flicks ever made (leave that to Pickup on South Street, Double Indemnity, and Out of the Past). But it is recommended viewing for its capable straightforward storytelling, and especially for the stellar peformance of Widmark. After I watched this, I poked around online and found that Mr. Widmark is still alive. That came as a surprise since so few personalities from that period are still around today...
Movie viewing, computer problems, a few Jim Beam and colas, an effort to catch up on sleep lost during the workweek - weekend activities enjoyed behind the closed doors. My solitary, though not downbeat, state of mind is reflected perfectly in the weather - weather I expressly prefer over summertime heat. The funereal conditions give me the inspiration to spend these minutes here at the machine. As twilight fades, I gaze through the open window in front of me - the portal to the city's mesmeric, noir world. Darkness falls around my solitude.
What if all the world's inside of your head
Just creations of your own?
Your devils and your gods
All the living and the dead
And you're really all alone?
And I did watch a couple movies all the way through this weekend (there were a couple I started, but stopped). One was Red Eye, from 2005, directed by Wes Craven. The first hour was engrossing. Airplane claustrophobia was perfectly captured, and it was exacerbated by the protagonist's predicament. Overall, Red Eye was a taut thriller, though it prolapsed into a boiler plate action flick in the third act.
The other movie was a semi-documentary crime-drama noir from 1948 titled The Street with No Name, directed by William Keighley. This was a solid piece of filmmaking, as so many noir pictures from that era tend to be. Richard Widmark is creepily outstanding as the neurotic, paranoid ringleader of a new breed of gangs hitting the streets of America.
Though it is a satisfying picture, it is not necessarily one of the best noir flicks ever made (leave that to Pickup on South Street, Double Indemnity, and Out of the Past). But it is recommended viewing for its capable straightforward storytelling, and especially for the stellar peformance of Widmark. After I watched this, I poked around online and found that Mr. Widmark is still alive. That came as a surprise since so few personalities from that period are still around today...Movie viewing, computer problems, a few Jim Beam and colas, an effort to catch up on sleep lost during the workweek - weekend activities enjoyed behind the closed doors. My solitary, though not downbeat, state of mind is reflected perfectly in the weather - weather I expressly prefer over summertime heat. The funereal conditions give me the inspiration to spend these minutes here at the machine. As twilight fades, I gaze through the open window in front of me - the portal to the city's mesmeric, noir world. Darkness falls around my solitude.
What if all the world's inside of your head
Just creations of your own?
Your devils and your gods
All the living and the dead
And you're really all alone?



